侯光飞的个人简介
著名书法家，艺术家。1969年 出生于江苏徐州，1992年 入住圆明园画家村。中国美术家协会敦煌创作中心主任委员 ，东西方现代艺术家协会会长，中国现代书法学会常务理事，北京大学公共艺术研究所研究员，传媒大学凤凰学院客座教授，清华大学朱曜奎教授博士研究生。中国教育电视台《艺术中国》栏目艺术指导，首届《金色文化》艺术大赛评委，儿童少年基金会三十周年《心.手传递春蕾慈善之夜》艺术指导。现为北大资源艺术传媒学院副院长，中国美术出版社全日制高中书法教材《名家讲堂》主编。
个人简介
著名书法家，艺术家。1969年 出生于江苏徐州，1992年 入住圆明园画家村。中国美术家协会敦煌创作中心主任委员 ，东西方现代艺术家协会会长，中国现代书法学会常务理事，北京大学公共艺术研究所研究员，传媒大学凤凰学院客座教授，清华大学朱曜奎教授博士研究生。中国教育电视台《艺术中国》栏目艺术指导，首届《金色文化》艺术大赛评委，儿童少年基金会三十周年《心.手传递春蕾慈善之夜》艺术指导。
现为北大资源艺术传媒学院副院长，中国美术出版社全日制高中书法教材《名家讲堂》主编。
展览简介
2010年 宋庄靠边 靠边 靠边综合艺术大展总策展人
中韩艺术交流大展梧州
迈阿密亚洲艺术博览会
2009年 第一届林州水墨双年展（上海）
798“混血”个展
入住北京宋庄
2008年 上海大东方艺术区个展
2007年 上海ART艺术空间个展
2004年 出版个人画集
2003年 中德文化交流展
2001年 德国威勒画廊个展
2000年 观景廊画廊个展
1999年 德国威勒画廊个展
1998年 当选中国现代书法艺术学会常务理事
参加中国国际艺术博览会
1996-1997年 参加首都国际艺术品博览会
九月画廊个展
观景廊画廊个展
1995年 入住东村艺术区
侯氏“汉字整容展”在北京颂风轩画廊展出
1994年 参加柳州现代书法邀请展
社会职务
中国教育电视台《艺术中国》栏目艺术指导
首届《金色文化》艺术大赛评委
儿童少年基金会三十周年《心.手传递春蕾慈善之夜》艺术指导
中国美术家协会敦煌创作中心主任委员 东西方艺术家协会副会长
东西方现代艺术家协会会长
中国现代书法学会常务理事
北京大学公共艺术研究所研究员
传媒大学凤凰学院客座教授
邳州市书法家协会、美术家协会顾问
清华大学朱曜奎教授博士研究生
作品展览
名家评论报道
艺术大师少年生活：东方魂
东方魂
――记青年艺术家侯光飞
姚鲁
侯光飞用一种全新的国际化的视觉语言，开创了一片新奇的艺术天地，是整个东方文化的象征。这不仅属于中国，也属于全世界。他用东方水墨的气韵融汇西方的色彩表现形式，呈现出唯有中华民族所独有的博大精深的文化内涵。他的作品里流淌着中华民族传统的血液，扎根于东方古老文明的沃土，吸收着外来鲜活的空气，滋润着自己，使别人无法望其项背。西方的艺术大师们更无从窥测到他灵魂的深处，劫取他生命的甘泉。因为，他生长在中华的大地上。
谈起侯光飞的艺术生涯颇有神秘色彩。大约八岁那年，他偶然得到了一本清朝书法家傅山的字帖，感到特别稀奇，觉得这东西挺好。在当时的那个年代，除了毛主席像，最好的就是过年家家粘贴的杨柳青年画了。于是，八岁的侯光飞象得到了天书一般，开始痴迷地照葫芦画瓢练起书法来。不管春夏秋冬，日午晨昏，只要有空，他就随时练习书法。有时在山脚下的一块空地上，把凸起的黄土一扒拉，拿起树枝就往地上写。有时在巨大的岩石旁，从书包里掏出刚从学校里捡来的粉笔，翘起脚就往高出自己数倍大的青石上画。他感觉练习书法比过年吃肉还快乐。这样，不知过去了多少个寒暑，他一练就是十几年。由于他天生具有创造的禀赋，使他一登入书法的殿堂，就想做世界第一流的大师，他也往往自以为是大师，就真的按大师的标准要求自己。在书法创作上，他刻意求新，力争变化。这种创造性思维，在世俗的生活中，或是在世俗的创作领域内，往往不容易被人理解。尤其中国传统的书法艺术，只有超越了常规的法则，进入真正创造的思维空间，才能深刻领会线条艺术的奥妙。而现实生活中，由于师尊者的局限，往往会埋没甚至扼杀一个富有创造力的天才。艺术家重要的是培养创造性的思维，形式和技巧只要下苦功是完全可以学会的，唯有深邃的思想和极强的创造精神是最为可贵的。那是在上初中的时候，一天，侯光飞捧着自己认为是创新的书法作品，给老师看，老师也以为侯光飞写的字怪，却不知道怪在哪里。
天才的艺术家，他的创造性思维会贯穿他生命的始终。他追求的事业就是他的生命，只要生命还在，任何事物都无法阻碍他散发出生命的光辉.
侯光飞以书法为主线，广泛涉猎音乐、绘画等艺术门类。随着对传统书法的实践和深入的研究，他越来越觉得，在诸多的艺术中，书法是最有民族性的艺术。它集造型、音乐、儒、道、佛等中国传统文化的精华，是中国的集大成文化。它是中国以至整个东方世界独特精神文化的象征。但是，正是它特定的民族地域性，阻碍了它汇入世界艺术大潮的可能，使“越是民族的就越是世界的”在实践的检验中成为一纸空谈。
回顾中国书法、绘画以及油画很难在世界范围内产生较大影响，主要原因是缺乏在艺术本质方面的突变。有些作品往往流于程式化和形式化。难怪一位收藏侯光飞作品的外国人说“我感觉到他的作品是创新，没见过。我不知道你们中国的油画，为什么还模仿我们西方国家五六十年代的作品？他的这作品我没见过。”
这正是问题的关键：我们不必计较他语言的逻辑性和强烈抨击他反映的问题是否全面。我们的目的，是在努力寻找彼此能够顺利交流的语言，然后，通过这种语言把我们民族的文化艺术传播出去，影响西方，影响世界。
侯光飞经过多年的探索与实践，终于找到了这种语言：运用西方的油画形式，传播代表东方文化的载体――书法。因为，西方人容易读懂这种语言，所以，能够深刻地领悟它的内涵。也正是基于艺术的本质特征，侯光飞把中国书法抽象的表意性推向了一个纯粹艺术化抽象的顶峰。它是具象化了的艺术抽象，这是对中国传统书法的一次革命，也是对西方油画艺术的一次冲击！他通过油画的色彩把你带入一种氛围，影响你的情绪；他通过书法的线条让你感受一种神秘的启示。是文字？是图案？是封象？是佛？是道？庄周梦蝶？仓颉造字？……于是，在破解的欲望中，这种神秘的启示，把你引入一个新奇灿烂的文化世界。
这艺术属于中国，属于东方，也属于全世界！
Oriental Soul-just remember young artists HouGuangFei
HouGuangFei is using a kind of internationally brand-new visual language and opening a new art gate.He has been the symbol of the Oriental culture. He belongs not only to China, also belongs to the whole world. He blends together the Western charm and Oriental ink color forms to show the deep unique Chinese cultural connotation. His work is flowing in the Chinese traditional blood, rooting of the ancient civilization fertile soil, absorbing foreign fresh air, moistens themselves, so that others can’t watch with admiration. Western art masters cannot lie a glimpse to his soul or take the water of life he survived because he grew up in the earth of China.
About HouGuangFei art career , it is quite a mystery. Almost eight years old, he accidentally got a calligrapher named pseudograph literatures who was famous in Qing Dynasty ,which was particularly rare, and he thought it was good thing. At the time of that age, except for chairman MAO the like, the best painting in China is New Year YangLiuQing calender which was pasted on the house wall. And so, at the age of 8,HouGuangFei was like to get gobbledygook,he began to obsesse with copying them and to practice on calligraphy. Chun xiaqiu winter afternoon, No matter what kind of season ,as long as he was free, he would practice calligraphy. Sometimes at the foot of the mountain on a vacant lot, he picked up the branches on the ground to write. Sometimes in huge rock ,after he took out just from school bag to pick up the chalk to write. And he always wrote on the bluestone which was several times higher than himself. He felt happier to practice calligraphy than having meat in New Year. Nobody knew how many years pasted, he had been practicing in more than ten years.Because of his natural created genius, he wanted to do the world first-class master at the beginning, he also often thinks himself a real master according to master standard to require himself. In calligraphy creation, he deliberately seek new things and strive to change. This kind of creative thinking in secular life, or in the creation of the secular field, is not always easy to be understood. Especially the traditional Chinese calligraphy art, beyond the conventional law only, enters the true thinking space, can create a deep understanding of line secrets of the art. And in the real life, because of the limitations of the instructors, often can bury even kill a creative genius. The most mportant training of the artist is to be creative thinking .The forms and techniques can be learned completely as long as spend much time, but the profound thoughts and strong creative spirits are the most precious thing. That’s a school day in junior high school,HouGuangFei held what he thought was innovation, to see his calligraphy teacher, the teacher also thought HouGuangFei written was very strange, but he didnot know what to be blamed.
The talented artist, his creative mind will be through all his life.The pursuit of his career is his life, as long as the life exits, nothing could not block he exhaled the glory of the life.
Calligraphy is the main line of HouGuangFei’s life, at the same time ,he widely browses music, painting and other art categories. Along with the traditional practice of calligraphy and further research, he became more and more feel, in many art, calligraphy is the most nationality art. It sets the modelling, music, Confucianism, Taoism and Buddhism, and the essence of Chinese traditional culture is the culture of China,It is that the entire eastern world unique cultural symbol. But, it’s a specific nation regional and blocked it into the world of art tide possibility to make "the more national, the more the world" in the test of practice become a paper talk.
Reviewing the Chinese calligraphy, painting and oil painting can be difficult to have great influence in the world scope , the main reason is the lack of artistic nature of mutations. Some works are often stylized and formal deteriorates. No wonder a foreigners collection HouGuangFei works said "I feel his work is innovation, haven’t seen. I don’t know your Chinese oil painting, why has been copied our western countries of the 50s to 60 s? His works of I have never seen."
The point of it is that we don’t need to care what the logic in his painting language and attack the problem whether he reflect overall. Our purpose is to try to find the language through which we can communicate to each other smoothly, then, through the language we can spread out our national culture art in order to affect the West even the world.
Through the exploration and practice of many years,HouGuangFei finally found this kind of language: USES the western oil painting form is on behalf of the carrier of culture spread east-calligraphy. For westerners it is easy to read this kind of language, so, Western people can profoundly understanding the connotation of it.It is that based on the essence of art, the abstract ideographic characteristics of HouGuangFei’s Chinese calligraphy are pushed to the peak of a purely abstract art changes .This is the traditional Chinese calligraphy revolution , but also a shock!!!!!to western oil painting arts. He takes you into a kind of atmosphere by painting colour, affects your mood; He let you experience a mysterious enlightenment through the calligraphy line. Is the text? Is the pattern? Is the elephant? Is Buddha? Is the way? ZhuangZhouMengDie? Is Changjie creating characters? ...... And so, in cracking desires, the mysterious enlightenment bring yon to be into a new culture of the world.
This art belongs to China, belongs to the East, also belongs to the whole world!
（本文选自作家出版社出版大型报告文学丛书《历史的使命》报告文学集《东方魂》。作者姚鲁是著名作家，诗人，书法家。）
